What do The Shadow and
Batman have in common other than Bob Kane swiping aspects, inspiration and images from The Shadow for
Batman? The answer is that neither Batman nor The Shadow were available in Australia from
1938 onwards, thanks to the Customs and Excise office, which placed an outright
ban on The Shadow and Detective Comics due to them being
labelled as “Literature calculated to encourage depravity”. If that sounds very much like how Max Gaines
described Mad – “Tales Calculated to Drive You Mad” – it’s worth bearing in
mind that the Australian customs came up with their title a good decade and a
change before Gaines used his. This also means that Detective Comics might very well hold the dubious distinction of being the first American comic book banned in Australia as sweeping changes came into effect.
While it’s commonly known
that American Golden Age comics were non-existent in Australia during the 1940s and
‘50s, first due to import restrictions placed upon newsprint during World War
II and then the resulting examples of hysteria and censorship from the late
1940s onwards, it’s not been all that widely reported that censorship of
American comic books started as early as 1938.
The first titles that were known to be banned included The Shadow and
Detective Comics, thus giving them a link that existed well before Batman
appeared in May 1939, a comic that was never on general sale in Australia
and could not be imported. If anyone did
try to import it at the time, and was discovered, then the comic would have
been confiscated and destroyed. The
banning of Detective Comics also goes a long way towards explaining why
Superman caught on with Australian audiences in the 1940s and Batman didn’t
really impact until the 1950s when K.G. Murray began to reprint the early
American books.
The banning of Detective
Comics really began with a statement from the Minister for Trade and Customs,
in which the proposal for the prohibition on the importation of undesirable
literature was put forward. Although the
proposal was titled ‘literature’, the text made it clear that the focus would
be firmly placed upon pulp magazines and comic books which were deemed to be
blasphemous, indecent and obscene. The
content of the statement also placed a strong emphasis on the undesirable
content of the literature in question, in particular sex and crime and the
harmful effect that any exposure to either would have on youth. Damning evidence was provided in the form of
a recent murder case in which the murderer had been found with a large
collection of pulps, thus, for the powers that be, showing a direct line from
pulps and comic books to outright murder.
It was all that was needed.
The demise of Detective
Comics and The Shadow continued with a letter from the Queensland Customs and
Excise Office. Dated 22nd
August, 1938, it tells of five titles that had recently been intercepted and
forwarded to the Comptroller-General of Customs in Canberra – the five titled
being The Shadow (issue unknown, but as it was dated as ‘July 1938’ it can be
narrowed down to two), Clues Detective Stories (July 1938), Black Mask
Detective Stories (May 1938), Detective Book Magazine (Spring 1938 and
Detective Comics #16. The first four
titles were pulp magazines, the last a straight out and out comic book –
possibly the first comic book submitted for examination due to content. It didn’t take long for the order to be
handed down. Out of the five titles
submitted two had already been marked as prohibited from importation – The
Shadow and Detective Book Magazine. The
remaining three then suffered the same fate – added to the list of publications
prohibited from importation and labelled as Prohibited Imports for the
duration. This ban preceded the general
import restrictions and explains why Detective Comics never appeared on the now
infamous list of 250 titles consisting of comic books, pulp magazines and other
printed matter in 1940 (and more on that soon).
Detective Comics was banned
due to it’s, “(undue) emphasises on matters of crime.” The title was also attacked as being
deceptive and the comic strips inside being a mere, “…adjunct to the main theme
of crime.” There was no coming back from
the ban. The notices were sent to every
port in Australia
and that’s where it should have ended.
Fighting the ban was
Associated Magazine Importers and Distributors.
Associated Magazines were the main importers of the magazines at the time,
and with the banning of other titles, such as Esquire, were seeing their
business eroded and cried discrimination.
They made a representation to the Minister and demanded that the full
reports leading to the bans be released to the public, a demand that was
ignored and it didn’t take long for more bans to be announced as more titles
found themselves on the list of prohibited publications. Comic books were heavily targeted with the
result being that ALL American comic books were to be held at Customs until
they could be examined and their contents digested. Associated Magazines again cried in public
against the banning, to no avail. Once
the first comic book was banned, it would only be a matter of time before more
followed, however in a show of conciliation, Detective Comics Inc published titles Adventure Comics and More Fun
Comics were both passed by the Comptroller-General on October, 1938 and
classified as, “…not regarded as Prohibited Literature.”
The attack on the banning of Detective Comics didn’t end there, but in reality the fight was merely an exercise in formalities. Distributors Gordon & Gotch, seeing a large part of their income stream being potentially stripped, contacted DC/National and advised them of the ban and urged them to intervene directly. DC also felt that the ban was more due to the title of the comic than the actual contents, a point that was valid as it appeared anything with crime related title, such as Detective, was being targeted. This point was driven home when it was pointed out that three of the five banned titles were Detective variations. With that in mind DC duly submitted a copy of Detective Comics #25 to prove their point. It mattered not, the result was the same, the title was still banned with Customs ruling that the comic had much the same content as the previously issue, but there was a difference and a small win. Instead of the book being classified as “Literature calculated to encourage depravity”, it was reclassified as merely being, "...subversive to young minds". The decision to ban the comic was upheld and the ban remained in place. Two issues later a new character would appear, but Australia would have to wait a while longer before it got a glimpse of The Batman.
The attack on the banning of Detective Comics didn’t end there, but in reality the fight was merely an exercise in formalities. Distributors Gordon & Gotch, seeing a large part of their income stream being potentially stripped, contacted DC/National and advised them of the ban and urged them to intervene directly. DC also felt that the ban was more due to the title of the comic than the actual contents, a point that was valid as it appeared anything with crime related title, such as Detective, was being targeted. This point was driven home when it was pointed out that three of the five banned titles were Detective variations. With that in mind DC duly submitted a copy of Detective Comics #25 to prove their point. It mattered not, the result was the same, the title was still banned with Customs ruling that the comic had much the same content as the previously issue, but there was a difference and a small win. Instead of the book being classified as “Literature calculated to encourage depravity”, it was reclassified as merely being, "...subversive to young minds". The decision to ban the comic was upheld and the ban remained in place. Two issues later a new character would appear, but Australia would have to wait a while longer before it got a glimpse of The Batman.
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| Two issues later, not to be seen in Australia |
THE BANNED 1938 BOOKS
AND THE MEDIA REPORTED
Frankly the media didn't report much at all. The saga was restricted to the back-rooms of Government and as such the media were only ever told of a decision once it was made, not of the reasons behind it. With such limited information, and with war already in place, the media were highly selective as to what they could report - and the banning of a few comic books just didn't rate that high in terms of importance. The following story was printed in a number of papers on the 14th of September, 1938, but that was it.





















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